RUSTY JABBZ NEWSLETTER MAY 2009 ENTRY# 2

Let's begin Rusty Jabbz off by acknowledging 2days lost of Roderick Anthony Burton The 2nd aka Dolla who was shot and killed today (May 19, 2009) Rusty Jabbz sends its condolescences to the family of Dolla.


RUSTY JABBZ BLOG MAGAZINE MAY 2009
ENTRY# 2

Hey y' all Dj Handspin Dinero is back up here for anutha May 2009 Entry of Rusty Jabbz I know I try to give my peops and supporters at least 3 entries once a month but I been hittin' the books and studying for a real important exam anyway thats over for the time being. Anyway I got a special homie with me today, my young lady Dominique aka Neek. I'll explain more about that later she doin' her right now but in the meantime.
I wanna give some MAY TAURUS/GEMINI BORN DAY SHOUT OUTS......

"HAPPY MAY TAURUSES BORN DAY"

01. Dj Handspin Dinero May 01, 1975
02. Drastic B May 01, 1975
03. The Pessimist May 13th
04. Stevie Wonder May 13, 1950
05. Prince Be of PM Dawn May 15, 1970
06. Dj MilkMoney May 16th


"MEMORIAL MAY TAURUS BORN DAY"

01. Boxing Legend, Joe Louis May 13, 1914 to April 12, 1981
02. Minister Malcolm X May 19, 1925 to Febr 21, 1965
03. Hip Hop Superstar, Notorious BIG May 21, 1972 to March 09, 1997


"REST IN PEACE SHOUT OUT"

I wanna send my love and condolescences to Ms Enea Chetram who recently lost her daughter, Vidna Chetram over the weekend of May 8th-10th, 2009. Enea, sorry for the lost of your loved one. Its such a tragedy when u lose sum1 u love and I know it'll take a moment to get over her lost. Enea you take all the time, I'm here for you the whole team here for you. Sincerely, Dj Handspin Dinero.

Rusty Jabbz will shut down for now. I never got a chance to do what I was supposed too. I had my lady friend, Neek come thru and we was gonna begin our sex commentary of "TALK LIKE SEX". Neek so the night is not a total lost gurl why don't you come over here and talk to the people.

Hey everyone this Dominque Maiz but yall can call me "Neek". I' am the ceo of a new company I'm trying to start with the help of my good buddy Dj Handspin. He's a great guy he's been cool helping me out showing me the business anyway the name of my company is called TALK LIKE SEX which is also the name of our internet forum. Talk like sex is basically a man and woman commentary team just sitting around shooting the breeze of everyday sex talk. Often times guys sit around and talk with other guys about sex and women do the same thing with other women but with us its like a co ed thing its going to be real cool and I hope you guys and ladies enjoy it and support it we got alot of interesting things to say. Handspin you could have the board back sweetie.

Thanx for dat boobie. Dats my gurl Neek giving u a brief introduction abt our Talk Like Sex Forum. You'll know when we start it just stick around. Until next time LETS DIP SLIDE AND RUST OUT! Neek turn the PC off gurl.

RUSTY JABBZ NEWSLETTER MAY 2009 Entry# 1

RUSTY JABBZ ENTERTAINMENT GROUP



Dj Handspin in the house bringing you anutha Rusty Jabbz Entry Issue. I'm going to do sumthin' different from my traditional hip hop album reviews. I'm going to do sumthin' that Rusty Jabbz very rarely git a chance to do. I'm going to review a hip hop play that was performed live on stage at Medgar Evers College. I received this email last week and I wanted to check it out and see what it be about and if I like it. I write about it on my blog. Well, to the producers, writers and directors of this play, "A NEW DAY". Obviously I liked it so here I am. I hope you enjoy my reviews and respect my criticism.

Wed., April 29th, I had the pleasure of visiting the institution that was named after one of our blacks leader, Medgar Wiley Ever. I received an evite to attend a viewing of a play titled, "A New Day". A film produced by Jamie Hector of The Wire/Heroes fame. I was surprised to receive an invite considering I never been to or even know anyone that attends Medgar Evers College.
The play was performed in the auditorium. I walked in kinda late so I might of missed the first half. From what I seen the basis of the play is about 3 inner city youth growing up surrounded by "D"evils and illegal temptations. The play does not follow the traditional cliche of urban art. The play sheds alot of education than entertainment. Where you have 3 young boys that have a chance to make it out of the trap and into a direction of positivity. Chance, one of the characters of the play has a Martin Luther King esque persona. Chance preaches non violence and black pride and unity but preaching is easier said than done. Especially when you have constant threats and torment by a local street thug that goes by the name of Frisco. (Another character of the play)

Chance and his older brother, Lotto and a neighborhood homie, Conz have a chance at stardom. Lotto who is the older brother of Chance and neighborhood Mr Popularity man. The 3 enter a Hip Hop competition where they have to practice their dance and rap routines. Everything seems all good, don't it but the drama in between is what almost took a toll on the 3 of them almost getting disqualified from the competition.

In the midst of preparing for the competition the 3, mainly Chance had to undergo the everyday trials and tribulations of the ghetto. Chance always running into Frisco whether by accident or on purpose. Frisco is always looking for a fight but Chance wants to live by his code of non violence. Until that one day when Chance had it up to here with Frisco and decides to give Frisco what he's been wanting which was a street fight that lead to Chance's old brother, Lotto shot in the arm and Chance's homegurl, Nadia shot as well. All this maylay happens only a few days before the Hip Hop competition. After spending the time preparing and rehearsing for the event. Chance mind is boggled when thinking of fallin victim into temptation. Chance worried about his brother being layed up in the hospital, Nadia being layed up in the hospital and also having to forfeit the competition. The pressure is thick on Chance. The one thing this play teaches you is to always have faith and stick what you believe in. Just when Chance was on the verge of mental breakdown. Both men, Chance and Frisco squash their uncook beef and Chance's brother, Lotto made it out of the hospital allowing Chance, Lotto and Conz to perform and win the Hip Hop competition. The play has a very happy ending. It was a cool play that was put together. I would like to thank Miles Mc Afee and Jamie Hector for inviting me to witness this play showcase.

WHO'S ON THE CORNER:
Now where about to shift back to the hip hop lane and see what emcee are out there..... We find a new emcee that goes by the name of E-CASHES.

E-CASHES - "LIFE TO THE FULLEST" Produced by Alter Beats
A hardcore street anthem that describes the goals and aspirations of E-Cashes. E-Cashes is on a road to the riches and he wanna live the life to the fullest. The beat is a definite mixtape banger and potential club banger. E-Cashes need to focus more on the art of production with his team to grasp the chemistry. When you hear this record your going to hear the same ol' thing. But he's new and he got lots more to learn and if he stays focus. He'll have it all in no time.

E-CASHES - "SHORTY WAS LOOKING MEAN" Produced by Alter Beats
This next jam is a little more friendly gearing it towards lovely ladies. Every artist gotta have that friendly record to appeal to the ladies. On this one, E-Cashes goes in a little deeper and shows off his songwriting ability and stick to a concept and subject matter. Although the song maybe friendly that doesn't mean its radio friendly but with the right push in the right direction it can be that radio hit. If I was E-Cashes, I would focus more on stepping up the songwriting and building more of a fan base and some sort of street credibility.
Artists nowadays lack the street credibility and the art of battling. I know this is an era of the cyber emcees but we can't forget what makes an emcee a emcee.

LIVE ONE - LIVE ONE PRODUCTIONS
(written and produced by: Live One)
(www.myspace.com/liveoneproductions)
Peace to my dude Shawn J. (and no I'm not talking about Shawn J. Period) I'm talking about my big homie, Shawn J (from da plantation) aka Live One. Dis is the, "WHO'S ON THE CORNER?" segment. The corner is where I found half man, half amazing emcee, LIVE ONE. The corner is where this star was born. Hiding his lyrical skills and poetic technic is sumthin' rarely done. Sum1 with mic talent and songwriting ability wouldn't want to let that go to waste. Whether you wanna, "RHIME OR WRITE!" Live One hailing from the borough of Queens. He's THE DESERT'S BEST KEPT SECRET. Str8 outta Jamaica comes Live One to do sumthin' that is rarely done nowadays, drop knowledge, spit barz and write superb lyrics. Alotta NYC media execs claim New York has fallen off and how New York is soft. New York aint soft, New York still gots talent. Live One shows and prove that there is still fire burning. I've known Live One for a few years now and I was recently given the priviledge to sample some material for his forthcoming debut album. The first thing I said after I heard the cd was, "This nigga is not from Jamaica!" No disrespect to Jamaica, Queens but I never heard a emcee from Jamaica spit like this before. Live One sounds more like an emcee coming str8 from the Northside of Queens. Hearing his lyrical finesse made me think of emcees Live One would be well insynced with. Emcees like The Intelligent Hoodlum (b4 he became Tragedy Khadafi), Phife Dawg, Large Professor, Cormega and the LYRICIST OF ALL LYRICIST, NAS! Just solely on the basis of their "Neo-AfroHipHopSoul" swagger.
I'm only talking about the lyrical side of Live One. Live One is also a producer extradinaire soon to rub elbows with the greats like Pete Rock, Skeff Anselm and Extra P. The album is solely written and produced by Live One, hey can you blame him with lyrics like these only an emcee would know how his music should sound and how the arrangements should be layed out. Live One coming thru with a 10 track album leaving you wanting and fiending for more. I have a few favorites off the album, my turntable spinners would be the songs, "Never Fall" and "So Cold". There are 2 others that I like, the songs, "The Payback" this particular record I like for the production. It has a ooooohaaaaa sound in the background as the cymbal smashes against each other. My other fav' would the posse cut, "I'm Back F/ Grandz and Lou Harvey. This song has an Harlem B-boy appeal although the beat shifts off course during the hook giving you an eerie feel as a saxophone plays. There is the song, "Soul Story" some may git confused by the sing songy hook. People often mistake songs with singing in the chorus a tad r & b-ish. "Soul Story", is more prophetic and testimonial. A good majority of the songs on the album are not meant for young listeners. They're not meant for IG-NANT listeners. You gotta be very open-minded and well educated to grasp the intellect and lyrical prowess of Live One. Dis is whut the game's been missing. Live One, THE DESERT'S BEST KEPT SECRET. Pretty soon that secret will be revealed.
I'm going to end this review by saying, "SOME SAY, LIVE ONE, HE SPEAKS WITH COLLEGE SLANG. DATS JUST DA WAY DAT HE TALKS YO' VOCABULARY SPILLS DIS MANS SO ILL!!!" Or in his own words, "SO COLD!!!"



Well Dj Handspin Dinero wrapping yet anutha exciting Rusty Jabbz Issue thank you all for joining me and I'll c u next time. Any emcees looking for publicity and promotions hit me up at djhandspindinero@yahoo.com

RUSTY JABBZ NEWSLETTER APRIL 2009 ENTRY # 3

RUSTY JABBZ ENTERTAINMENT GROUP

Dj Handspin in the building. I'm on the road today doing it up midwest style. Over the years the Mid West or Central America which ever your terminology preference. I'm going to say Mid West, Mid Westurn emcees have been very influential in hip hop as well as contributors to the genre of this culture. Many Mid Westurn emcees such as Common, Twista, Kanye West, Crucial Conflict, Do or Die, Shawnna, Ludacris, SpeedKnot Mobstaz, Nelly, Chingy, J-Kwon, Rich Boy all represented hip hop culture to the fullest and did it with great success. Today, I want to talk about another mid westurn state that git lil' props and rekonization for their hardwork and skillz but yet still manage to keep their success. So are you ready to roll with me if so let's go.......

Well, Rusty we're not in New York anymore. It look like we ended up in OZ (Kansas) 70 years later from the movie. Aint no wicked witches around hur' but the corner got wicked bytches, dem hoes probably burning. There's a sound in the air. It sounds like STRANGE MUSIC!!!

Hey look Rusty, do my eyes deceive me, EMCEES and with emcees comes djs comes breakers comes bombers. Put em altogether and you got HIP HOP!!!
Hip Hop in KANSAS who wudda thought. But since I've been hearing about this emcee that goes by the name of Tech N9ne. Tech N9ne who been in the rap game 4 the last 13 yrs been very active from various albums, compilations, mixtapes, collabos, tours, magazine ads but yet I've bared no witness until Apr 26th. Just 2days b4 the release of Tech's latest & newest album, "Sickology 101". I finally heard Tech N9ne in the full. No freestyles, no collabos, no neighborhood street talk about his lyrical skillz. I actually sat down in front of my computer and listened to his brand new release from the start to the ending and I was impressed. I didn't expect to find real emcees out in the mid west. (Of all places )
So you know me, when Dj Handspin Dinero is feelin' sumthin' imma feel it until I can't feel no more.
Keep in mind this is still all new to me. Tech N9ne coming threw with his team of microphone slingers.... K-Dean, Krizz Kaliko, Kutt Calhoun, Potluck, Ron Ron, The Popper, The Boy The Boy Young Mess, Big Scoob, Cash Image, D-loc, The Chop, Craig Smith, Nesto, Big Ben Shadow, 57TH Rogue Dog, Rob Robeck, BG, Bulletwound, Paul Mussan & 816 Boyz. The team is lyrically strapped trading either barz or bullets. Aiming and maiming all sucker emcees from the east to the west, the north to the south and everywhere else in between. To the Strange Music famlee, competition is none.
Tech N9ne delivers anutha banger for the streets and the traps of Kansas City, Missouri and to the hoods all over the world. This is Tech's 9th album yo, and I aint here not one. Dj Handspin Dinero is ashamed of himself I usually stay on top of trill niggaz.
The album is a lesson plan of "SICKOLOGY" after hearing it ya whole swagger wud go from flossy to SIK WIT' IT! Normally during this part of the review, I wud point out the songs I like best off the album but I don't know or think I have a best song from the album. All the songs on the album are good but what really put the icing on the cake of the album are the skits. The skits are funny as hell. (You will be LYAO) Very rarely do emcees nowadays make skits for their album. My funniest skit off the album would be the "Grammys" and the brief intro and outro on the cut, "Areola". If I was to choose a favorite song off the Sickology 101 album, it'll be "Red Nose". "Red Nose", thats the truest thing to me cuz I can dig it. The whackest song on the Sickology 101 album would be, "Ghetto Love", that sounds too lovey dovey & gay 4 my taste. Overall, dem Kansas City Boyz got SUMTHIN'!' They spit dat real shit just New York spit dat real shit.
So, no matter where we are Rusty theres no place like home. And the home, I'm talking about is HIP HOP!!! And hip hop is STRAANNGGE MUSIIIIIIIIIC!!!!

IN CLOSING: I'm glad you enjoyed this review. I just wanna start off by saying, what separates Tech N9ne and the rest of the Strange music roster and family. Is the fact that they do not rhyme like, flow like, act like or sound like your typical mid-westurn, southern style emcees. No, No Limit bout it, bout it shit. No Cash Money bling, bling shit. You won't hear none of that. Tech N9ne and the Strange Music fam sound kinda like the way they're expected to sound. Being from Kansas City, Missouri and fallin' in the middle of The United States, they pretty much feed off both the east coast and the west coast and the durty durty south.
I'm going to being real and let you know, the rap/hip hop alliance I would compare or put Strange music on the same level with would be crews like Wu Tang Clan and The Dungeon family. Listening to this Tech N9ne, Sickology felt like I'm listening to some Wu shit or sum Dungeon shit. So everybody out there its time to git SICK!
TECH N9NE - "SICKOLOGY 101" - STRANGE MUSIC
4.50 JABBZ












It's Dj Handspin Dinero and Rusty still on our Mid-Westurn tour trying to find real hip hop in the Mid West. We just got finish reviewing my man, Tech N9ne and the Strange music clan.
Me and Rusty, we're now in Chicago, Illinois about to check out these new up and coming underground emcees that goes by the name of No1 and 2nd Thought. The album belongs to No1 and 2nd Thought is doing a guest appearance on the album. I'm not sure if No1 is actually from Chi-town due to the heavy U.K. accent but his right hand man 2nd Thought reps the Windy City. I kinda figure that out from the city anthem, "Chicago" that 2nd Thought spits off the album. The album comes fully equipped with raw, uncut productions taking back it to the good ol' days bringing you that generic feeling of hip hop. After listening to this album you would be a b-boy in ur b-boy stance on 1-2-5. Its a blast from the past but a move toward the future. Whether No1 and 2nd Thought would have a hip hop mainstream future. It doesn't matter because they currently secure a seat in hip hop. The songs on the album are good for that traditional backpack, nerd rap. My 2 favorite joints off the, "Global Warming" cd, that I love to bang and burn in the club are the radio attempts of "Around The Block", a solo joint by 2nd Thought and "Bumpin" by No1 f/ Agelikki. Those are the only club bangerz on the album so you see there is potential for mainstream success in the future but right, No1 is gonna spread his, "Global Warming" str8 thru underground.

NO1 - "GLOBAL WARNING" NO1Z RECORDZ
WWW.NO1ZRECORDZ.COM
4.50 JABBZ





Hey, Dj Handspin Dinero and Rusty Jabbz Entertainment Group is about get up out of here ending yet another entry of our April 2009 Rusty Jabbz Blog Mag.

Remember emcees keep dem albums coming for review and ratings by your Favorite Writer's Favorite Writer , Dj Handspin Dinero

Before, I go I wanna send a birthday shout out to my maker. Happy Birthday Dad. Happy Birthday to Too Short and Big Gipp of The Goodie Mob.
Till next time we out! PEACE!!

RUSTY JABBZ NEWSLETTER APRIL 2009 Entry # 2

What's poppin' its Your favorites writer, favorite writer, Dj Handspin Dinero up in hur' to wish everyone a happy good friday and a happy easter fo' show.


JADAKISS "THE LAST KISS"
RUFF RYDERS/DEF JAM RECORDS
4.5 JABBZ
I wanna give a phat shout out to JADAKISS new album in stores this week (April 7th), "THE LAST KISS". This is not even an official review this some impromptu shit I wrote. Str8 off the head cuz dats how ILLY I'am with the literature. Jadakiss, 3rd album release. Jada supplying fiery of the east coast with New York raw rhymes. An exceptional emcee that should be on the ballot for KING OF NEW YORK. Jada comes with tight production provided by Swizz, Alchemist, Poobs, The Inkredibles and others. The album is a grand slam. I give it 4.5 jabbz, I would of gave it 5 but alotta rap and bullshit on the album for the radio kinda fucked up his lyrical vibe. Jada did keep his word, like he said on Dj Clue's Professional 3 album. "Learn how to switch ya style up and go southpaw". Which he did but the illest east coast/southern collabo was when Jada teamed up with Mr Young Money, Lil Wayne on the grand finale of the album's cut, "Death Wish". Be on the look out for OJ Da Juiceman in the near future. OJ who traded verbalz with Jada & Swizz on the song, "Who's Real". I don't know who's real but I do know OJ Da Juiceman in a couple of more months he will be DAT DEAL! Da album gave da listeners on whut a New York Emcee should sound like for New York or to represent New York. A well crafted mix of the streets, the parties and the bitches. Can't forget da bitches. We need da bitches cuz with out them whose gonna buy the album.

Let's step away from Jada for a minute and talk about Def Jam records. I notice alotta changes in the Def Jam office administration and alotta ex fans disappointed with the once A-LIST label. The new Def Jam are making the legacy of the original Def Jam crumble brick by brick. What is happening with rapping? Muh' fuckaz can't put profanity on album covers anymore. The original name of Jada's album was supposed to be called, "Kiss my Ass" but due its graphic nature it wasn't suitable for the public. A fuckin' album cover, do you how many artists released albums with a derogatory title in hip hop history. Since when does hip hop care about the public. I thought hip hop was the voice of the young, the voice of the streets, the voice of trappers, hustlahz, gangstas and thugs. Since when did hip hop start censoring album covers. It began in 2008 with Nas. Def Jam would not allow Nas to title his album, "Nigger" because of all the controversy around that word. Black people been called the word NIGGER for so long we think its our name. Theres worst words we've been called before to me the word, NIGGER is PG13. We been called all types of shit from JIGGABOO, PORCHE MONKEY, KUNTA, KOON, SAMBO, BO' JANGLES and the list went and goes on and on and is still going on. Them CRACKAZ hate us, they call us everything disrespectful and derogatory so don't start acting like a BITCH over the word NIGGER!

Whats up with B. E. T., they lost their soul just like Def Jam did. I know its a quote on quote supposedly family network. But come on, they need to stop tripping over this censorship mess. Which I find is odd. B. E. T. syndicates past shows from primary networks like The Parkers, Girlfriends and The Game. Everytime your about to hear simple curses or swears. Words like DAM, HELL, BITCH. These are PG curse words not as harsh and vulgar as the word SHIT, FUCK or MOTHER FUCKER. But B. E. T. edits those words. See the odd thing is all those shows that B. E. T. syndicates came from regular network television. (FREE TV TO BE EXACT) Networks like MY9 and CW allowed those words to be aired live. B. E. T. network which is a cable network of all places for GODSAKE doesn't allow it. You would think there would be no restrictions due to the fact that there on cable. It just amazes me at times, how NETWORK TV IS MORE REALER AND THOROUGH THAN BASIC CABLE! (You would think it'll be the other way around.)


APRIL'S BLACK ENTERTAINER'S BORN DAYS:

1. METHOD MAN APRIL 1 1971

2. ALBERT AND ALLEN HUGHES (THE HUGHES BROS) APRIL 1, 1972

3. RUDOLPH ISLEY OF THE ISLEY BROS. APRIL 1, 1939

4. JIMMY CLIFF APRIL 1, 1948

5. EDDIE MURPHY APRIL 3, 1961

6. BIZ MARKIE APRIL 8, 1964

7. KEISHA KNIGHT PULLIAM APRIL 9, 1979

8. Q-TIP OF A TRIBE CALLED QUEST APRIL 10, 1970


Those are our Black Entertainers who are or haved celebrated there birthdays so far for the month of April. Stay tuned till next time. We'll bring more celebritty birthday shout outs.

This will do for now until next time stay focused on RUSTY JABBZ the magazine about HIP HOP, CULTURE, POLITICS AND ENTERTAINMENT.

RUSTY JABBZ NEWSLETTER APRIL 2009

Dj Handspin in the place to be once again bringing exciting hip hop blogs all through the month of April 2009. Today our first entry of the month feature will be focused on the MEGA MAN, Cormega Montana but before I do that I gotta send phat shouts to all my peoples that are celebrating their birthdays this month.

"APRIL BIRTHDAYS"

1. Lance Heller April 3rd
2. Chantilly April 4th
3. Francina Girard April 7th
4. Jason Joseph Wright April 27th
5. My Dad, April 28th

Happy Birthday to a few of my peoples that celebrating their birthdays for the month of April so far. The month aint over. Surely I will have more April Birthday shouts outs as the month goes on.









See this man up above stay focus on the realness and QB's finest, CORMEGA MONTANA!

"CORMEGA'S PRESS RELEASE PARTY"

This is Dj Handspin Dinero reporting to you live from SOBs on this Wednesday night, April 8, 2009 on the dancefloor waiting for the rebirth of Cormega Montana. (Y' all remember him the Underground King Of Rap Shit). It's been a minute since 'Mega dropped an album. Approximately 7 years since his last album. What Mr Montana been doing for those last 7 years. I don't have the foggiest idea but what I do know Cormega did have a child within that 7 year hiatus time (a daughter I believe) as well relocating to HOTlanta. Where the bitches and the cars drive around all year with the titties out.

Tonight is a special night for Cormega. It's a press release party set up by my homegurl, Jackie-O. Yo Jackie good looking out on tonight cuz ma, you didn't have 2 hook a brutha up but you did, dat wuz peace.

I arrived up in SOBs at 8ypm walking into a realm of real hip hop as Dj John bang out the GOLDEN ERA classics although the fucked up when he played that Bone Crusher record, ehh bad move. Needless to say it wuz a good feelin' everytime I heard the bass heavy real hip hop pounding wall to wall. Its been a minute since Dj Handspin been in da public eye it wuz a great experience. It's nice to know I still got the New York B/D-boy look. You know, jeans-sneakers-hoodies-and the icing on the cake the B-ball cap. Aint no attire is complete without da B-ball cap on da domepiece.

I'm having a good time listening to the fiery of old school and throwback jamz but the downfall to coming 2 a real hip hop event is da lack of TAIL! Neva enuff tail in da building.

This show will showcase a few of Cormega's new material from the forthcoming album, "BORN AND RAISED". (Date To Be Determined). Right now I'm gettin a lil' tipsey and politikin and building all through the crowd. I'm really enjoying myself but inna few minutes imma have to raise up and head back to MEDINA. You know da deal, I'm a slave, I gotta be at THE PLANTATION 2mmorrow by 930 or else my slave master will dock my pennies. You know how dat goes. So if I don't git 2 hear any of Mr Montana's new material, it doesn't matter cuz I know 'Mega and I know his work so I know it'll be good. I alwayz supported Cormaga. Well, except dat 1 time but come on let's be real, 'Mega vs Nas (yeah right). I know you didn't think you wuz gonna win. Although I did like that 1 line from the song, "Get Out My Way" that went like this, "Stop screaming what set you claim if u don't come around the way no more". I like that line cuz I dedicate dat line 2 alotta niggaz dat still act like my hood still luv them.

Aint this about a bitch, just when I said I wuz about to bounce here comes Cormega to take the stage. Once dat happened the amped up crowd wuz in da building but paparazzi wuz out of da building Mr Montana made it clear he aint want no pictures or filming of his performance due to leaks on the internet. You know how grimey New York niggaz git. There wuz a time during Cormega's performance where SOBs security toss a kid out the club 4 attempted BOOTLEGGIN! I feel 'Mega, the god is blessing us with the event it was a priviledge to us New Yorkers to hear some exclusive Cormega in the works. I was hurt too the fool didn't want me to give him an interview so I feel y' all. But you gotta respect the artists wishes.

Cormega began his performance settin' it off with the Dj Premier produced, "The Streets is a dirty game" an old Cormega song. I musta heard like 6 exclusive Cormega joints before I made my exit back to BUCKTOWN. The best songs I heard wuz this Pete Rock produced track called, "Live and you Learn". It wuz a hard thumping boom bap beat with repetitive chants for the hook that recites, "IT IS WHAT IT IS, IT AINT WHAT IT WAS". I like that record that wuz one of those wild out records to spazz too. There was anutha song Cormega had that was produced by Ayatollah dedicated to all the chronic smokers which wuz cool. By the way AYATOLLAH was also in the building. Cormega had 2 more tracks I like 1 wuz done by Havoc, a song he dedicated 2 his newborn lil' gurl and there wuz a Lil' Fame track that wuz off da chain, it wuz jazzy track with alotta saxophone percussions in it (Fizzy Wo steppin' it up on the production tip) I just don't know the name of any of his songs. Its funny, Cormega performed alotta songs from his upcoming album but didn't mention the names of the songs he wuz performing. Cor' wuzn't playin' when he said, he wanted this performance discreet only for a chosen few heads that got 2 witness the exclusives. Duke didn't even have test pressing copies printed up of his album. 'Mega wuzn't playin' he's making sure his album don't git leaked.

I wuz sorry, I had to bail on the show but u know da deal. I'm not fortunate like Cormega to git paper and not even have to go to a 9 to 5 to git it. But be on that look out for CORMEGA'S HIGHLY HIGHLY ANTICIPATED ALBUM, "BORN AND RAISED" dropping sometime this year. The album comes fully equipped with production from some of the greatest producers whoever touched a board: Dj Premier, Large Professor, Havoc, Lil' Fame, Pete Rock and I'm not sure if he mentioned J. Love or J. Waxx did work on the album most likely its J. Waxx Garfield. I know 'Mega worked with J. Waxx in the past.

Before I go I just wanna say I enjoyed myself. I had a great time listening to parts of the album and watching Cormega's performance. I'll definitely keep an eye out for the album and spread the word as well. To Jackie O, I wanna thank you once again and give you much love and respect 4 hooking me up so I can be able to do this review. DAT WUZ REAL TRILL OF YOU!!!

Sincerely,
Dj Handspin Dinero

RUSTY JABBZ NEWSLETTER MARCH 2009

Hey its the last entry of our monthly Rusty Jabbz Online Mag. This entry I wanna go hard, HARD like my NUTTS when I go to one of Twinn's BBW parties. (Phat shout to Luscious, Lovely and Gi Gi) Anyway our first order of business is to crush XXL for bogus and outlandish lies and disrespect of New York emcees. I'm going to call this piece........


RUSTY JABBZ VERSES XXL







VS.


As I look through the recent May issue of XXL 2009 with Rick Ross on the cover. I see this going a controversial issue. I'm not here to talk about Officer Ricky verses 50 Cent. This issue is controversial to me because you angered, Dj Handspin the ceo and editor in chief of Rusty Jabbz.
First thing, I wanna start off by saying, why is the topic of New York emcees bringing the crown back home is still an open case. I been hearing the babble and the criticism from haters on this subject matter for a few years now. Everyone want New York to come back. Come back to what. Newsflash, New York is here, we never left.
I wanna know, What the fuck do you want New York to go back to? You want New York to go back to the future to the year 1973, location 1520 Sedgwick Ave. Bronx, NY. (The birth of Hip Hop) Or maybe you want New York to go back to 1982 the birth of Run DMC, or maybe you want New York to go back to the '90's the birth of the Golden Era. Or betta yet do you want New York hip hop to go back to where you had niggaz on the corner arguing all day about who's their favorite emcee, "Biggie, Jay Z or Nas".
How many times are we going to bring up a topic that is controversial amongst various hip hop groups in the city. Hip Hop has transcended over the last 35 years thanks to New York. If it wasn't for Kool Herc, Afrika Bambaataa, Grand Wizard Theodore and Grand Master Flash for birthing this genre and influencing people all throughout the ghettos of America to spread their word and creativity that later spread across the world none of us would be here. None of us would have became emcees, djs, dancers, graff writers, a&r's, producer's, ghostwriters and so forth. None of us would have received Grammies, Source, BET, Vibe awards if it wasn't for New York. New York creating Hip Hop gave ghetto youth hope, self confidence, arts and creativity and now you all wanna stomp on us all because you feel we lost our touch. All of you feel New York isn't poppin' anymore we don't have to pop anymore. New York will always be recognized as the Mecca of Hip Hop. We will always be the originators of this music. So XXL to bring up this article in their recent issue and to have people bad mouth and criticize what we successfully created is a stab in the back as well as a kick in the nutts. (Basically, what I'm saying it hurts)

I would like to know what do these so called new young a&r's who were probably born no more than 21 years ago know what real hip hop is or know, what New York hip hop fans like to listen too. You say we're too hardcore,we're too street and how no one wants to here that street style of hip hop anymore. How would you know what the streets of New York want to here. A good majority of you so called execs and a&r's promote and market todays hip hop to the younger teeny bopping generation. Making hip hop soft and more rap and bullshit. When I was growing up as teen in the late 80's to early 90's we didn't have any hip POP artists. Every hip hop artist that came out rhymed about what was going in the streets as well as the world. Keep in mind, I'm in the seven grade listening to Public Enemy, Poor Righteous Teachers, King Sun, Krs 1, Salt n Pepa. I was listening to records that a seventh grader shouldn't listening too. You guys are probably thinking, "Dam that music was too harsh for a child to listen too". There were no marketing and promotions in the 80s and 90s everything was str8 street. It's you Ivy League-Morehouse type NEGROES gettin' jobs at these label coming into the game and wanting to change the rules of what we created. So is that what you mean when you say you wanna bring New York Rap back. Y' all don't wanna bring New York rap back y' all wanna change New York Rap. Various artists today coming up out of New York do not want to get signed anymore. No artist want to be told what to do and say on album. Sure being a major artist you get major success but a weak heart comes along with it. As an independent emcee you get betta access and say on your own career. I just wanna address this article to XXL and all you label execs like Jimmy Iovine, LA Reid and Jeff Sledge. It sounds like you wanna create another genre other than hip hop. You can do what you wanna do but please do not tamper with THIS THING OF OURS WE CREATED!
Muh fuckaz running around New York saying New York has no leader. We have no savior. Labels looking to emcees like Joell Ortiz, Papoose, Uncle Murda and Tru Life as saviors of New York. Who said that we're looking for savior of New York these emcees was coming up out of NYC to rep their hood and make some money off their talent. No one was going to anoint them as Kings of New York. Who said New York needs a King we got talent coming out of every single street corner of every single borough. No one emcee should be an island. I blame PUFF DADDY and BIGGIE for that whole King of New York status, ever since BIG put that out there so many emcees wanna take his throne. Everything that comes out of my state is all good for my listening pleasure.

SO ALL YOU LABELS FUCK OFF AND STOP TRYING TO DIVIDE AND CONQUER!

It's not NEW YORK HIP HOP thats on the downfall its all you record labels who are on the downfall and now you come back seeking and begging for NEW YORK to help rebuild all you almost bankrupt labels. You can't lock down real talent. REAL REKONIZE REAL! TRILL REKONIZE TRILL!

RUSTY JABBZ VERSES XXL JUNE 2009 ENTRY# 3

Rusty Jabbz is still in the building waging WAR on XX smel L.
Your magazine smell cuz yall full of shit. Perhaps its the articles printed in the current issue (May 2009) Or maybe your shit cuz I wiped my ass with the pages.

Dj Handspin still aiming darts at XXL for trying to crush New York. All industry faggots say that New York is so routine. Well the apple doesn't fall far from the tree.

You say, we do not put out the party records like we used too (The Renaissance Bad Boy Era)
There have been plenty of noteworthy emcees to quote on quote claim that NEW YORK KING OF RAP y' all so desperately want us to capture. I don't know who works at these labels. I don't know what your looking for at these labels. But 1 thing I do know and you need to know is to learn your artists before you sign them to a record deal. Come let's before real ATLANTIC, Saigon and Pretty Toney doing a collabo together, "YEAH RIGHT!" Thats like Tim Dog and Immature doing a collabo together. You fake executives don't really know what the artists on your label and what their particular style hip hop is and you wonder why your projects FLOP! We can't all be party emcees and rapping about nonsense, especially in these economical times. I tell you though since you New York to come, how about the '80s CRACK ERA with gunz, gangz and robberies. Nuthin' says welcome New York like 1980 Reagan administration street tales. Is that what you want, well thats whats coming.
Now let me ask you will that be NEW YORK enuff for yah. I don't wanna go on anymore on this topic, I just wanna end it with these 2 quotes one by a friend of mine, Jalil and one taken from Donna Cappa Goines aka Cappadonna.

PENNY FOR YOUR THOUGHTS BY JALIL AMARIE
"Something people don't know about New York is that it aint dead like people think. We never left. We will never leave. We are built for this. The industry just took the cameras off of us."


HIP HOP QUOTABLES:
"We write lyrics that the streets like. We don't come with that bullshit that y' all thinking is right." Hook taken from "Pistachio" By Cappadonna, King Just & Lugar. Off the SLANG PROSTITUTION LP CHAMBER MUSIK RECORDS. WWW.CHAMBERMUSIK.COM